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Wonderful minds

Director: Bernard Campan, Alexandre Jollien

Year: 2021

Duration: 92 min.

Country: France, Switzerland

Cast: Bernard Campan, Alexandre Jollien, Maryline Canto, Laëtitia Eïdo

Script: Bernard Campan, Alexandre Jollien, Helene Gremillon

Genre: Comedy drama.

Music: Niklas Paschburg

Photography: Christophe Offenstein

companies: Coproducción Francia-Suiza; Pan Européenne Production, France 3 Cinéma, Apollo Films, Les Productions JMH, ABS, Radio Télévision Suisse (RTS), SRG SSR Idée Suisse

Distributor in Spain : Caramel Films

Premiere in Spain: May 13, 2022

Original version: French with Spanish subtitles

2022: Malaga Film Festival: International Premieres – Audience Award

SYNOPSIS

Louis runs a funeral home. Confirmed bachelor, he lives dedicated to his work. By a chance of life, one day he meets Igor, a sharp spirit in a handicapped body due to cerebral palsy. Igor hands out organic vegetables while spending his free time reading Socrates, Nietzsche and Spinoza. Together they will embark on a journey in Louis’s hearse to transport the body of the late Madeleine to the place where she is to be buried…

THE CRITICISM

“Delicious, shot through with southern air and photographic warmth, the film conveys truthfulness and joy, striking the right balance between the tender, the pathetic and the comic”

The premise may be familiar and inevitably refers to Untouchable, a model that has been repeated over and over again. But Beautiful Minds is not just a good-hearted and condescending story about the friendship between two men who belong to different spheres and end up understanding each other. In this case, that friendship is also real, the one that the comedian Bernard Campan and the philosopher Alexandre Jollien have maintained for more than two decades. And, although it is not necessary for us to know that information when we see the film, in some imperceptible way, that affection that they profess ends up slipping through the cracks of each one of the images.

Wonderful Minds claims the difference and does so through humor and empathy. Campan plays a man who runs a funeral company and is always sulking and Jollien has cerebral palsy and his essence is luminous. A fortuitous meeting will make them travel companions and they will embark on a road movie in which there is room for adventures, but also for existential reflections through Jollien’s perspective, who will apply philosophy to small and large human problems. . In this sense, in few films have the references to Socrates, Nietzsche or Spinoza been clearer and more revealing.

The film addresses prejudices, the gaze of the other, touches on sensitive issues and does so in a deeply transparent way, without impostures, without condescension. Their journey is both entertaining and comforting, revealing the characters’ weaknesses as well as their strengths on their way to better understand themselves and others.


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